Manuel de falla biography composer gustav

Manuel de Falla - Biography

Manuel de Falla y Matheu (November 23, &#; November 14, ) was a Spanishcomposer of classical music.

He was born in C�diz. From the late s he studied music in Madrid, studying piano with Jos� Trag� and composition with Felipe Pedrell. It was from Pedrell that de Falla became interested in native Spanish music, particularly Andalusianflamenco (specifically cante jondo), the influence of which can be strongly felt in many of his works. Among his early pieces are a number of zarzuelas, but his first important work was the one-act operaLa vida breve (Life is Short, written in , though revised before its premiere in ).

He spent the years to in Paris, where he met a number of composers who had an influence on his style, including the impressionistsMaurice Ravel, Claude Debussy and Paul Dukas. He wrote little more music, however, until his return to Madrid at the beginning of World War I. There he composed several of his best known pieces, including the suite for piano and orchestra Noches en los jardines de Espa�a (Nights in the Gardens of Spain, ) and the balletsEl amor brujo (Love the Magician, , which includes the much excerpted and arranged

Manuel De Falla

Manuel de Falla, (born November 23, , Cádiz, Spain—died November 14, , Alta Gracia, Argentina), the most distinguished Spanish composer of the early 20th century. In his music he achieved a fusion of poetry, asceticism, and ardour that represents the spirit of Spain at its purest. Falla took piano lessons from his mother and later went to Madrid to continue the piano and to study composition with Felipe Pedrell, who inspired him with his own enthusiasm for 16th-century Spanish church music, folk music, and native opera, or zarzuela. In Falla won two prizes, one for piano playing and the other for a national opera, La vida breve (first performed in Nice, France, ).

In he moved to Paris, where he met Claude Debussy, Paul Dukas, and Maurice Ravel (whose orchestration influenced his own) and published his first piano pieces and songs. In he returned to Madrid, where he wrote the music for a ballet, El amor brujo (Love, the Magician; Madrid, ), remarkable for its distillation of Andalusian folk music. Falla followed this with El corregidor y la molinera (Madrid, ), which Diaghilev persuaded him to rescore for a ballet by Léonide Massine called El sombrero de tres pi

Manuel de Falla: Spanish Composer&#;s Life and Works

Posted on Jan 12, in Music

Manuel de Falla: A Legacy in Spanish Music

Manuel de Falla () was a prominent Spanish composer who masterfully blended three major trends in early 20th-century Spanish music: Nationalism, Neo-Classicism, and Impressionism. Born in Cádiz, he later moved to Madrid and eventually passed away in Argentina.

Early Years and Musical Development

De Falla quickly distinguished himself as a pianist and soon developed a keen interest in composition. In Madrid, he composed Zarzuelas, some in collaboration with Amadeo Vives. He soon came into contact with Felipe Pedrell, a pivotal figure who profoundly influenced his aesthetic vision.

Key Early Work:

  • La Vida Breve (won a competition). Premiered in France eight years later, thanks to the interest of Debussy. This work is characterized by its gritty realism, deep emotion, and the symbolic use of folklore.

De Falla&#;s work is defined by its melodic and rhythmic clarity, as well as his masterful orchestration.

Years in France (Influence and Challenges)

De Falla spent seven years in France, where he formed close ties with Ravel and De

Falla, Manuel de

Falla, Manuel de [ Falla y Matheu, Manuel Maria de](bCádiz, ; dAlta Gracia de Córdoba, Argentina, ). Sp. composer and pianist. He was taught the pf. by his mother and harmony by 2 local musicians, but his ambition was to be a composer and he wrote 2 zarzuelas, the first of which was prod. in Falla then studied comp. in Madrid for 3 years with Pedrell, who imparted the doctrine that a nation's mus. should be based on folk-song. However, it was to the spirit rather than to the letter of Sp. folk-mus. which Falla turned. In he won the Madrid Acad. of Fine Arts prize for the best lyrical drama by a Sp. composer with his 2-act opera La Vida Breve(but it was not perf.). In the same year he won the Ortiz y Cusso prize for Sp. pianists. For 2 years he taught the pf. in Madrid and in went to Paris, where he became the friend of and was greatly influenced by Dukas, Ravel, and Debussy. Ricardo Viñesplayed the 4 Spanish Piecesfor pf. in Paris in , and Falla himself introduced them to London at his début there in La Vida brevewas produced in Nice and Paris in and in Madrid in The ballet-pantomine El amor brujofollowed in In he completed his most

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