Palladio, Andrea
Born Andrea di Pietro della Gondola in Padua, Palladio began his career as a stonemason, and joined the Guild of Masons and Stonecutters of Vicenza in Around he became the protégé of Count Giangiorgio Trissino (&#x;), the leading intellectual in Vicenza, who stimulated the young man to appreciate the arts, sciences, and Classical literature, granted him the opportunity to study Antiquearchitecture in Rome, and called him &#x;Palladio&#x
Palladio, Andrea – Italian Architect
Andrea Palladio (Andrea di Pietro della Gondola) was the most influential architect of the Renaissance. Famous for his use of classical* elements, he designed many villas (country homes) and public buildings in the region of northern Italy around Venice and Vicenza. Hundreds of years after his death, modern architects still find inspiration in Palladio's work.
Early Life and Career. Born in the city of Padua, the young Palladio served as apprentice* to a local stonemason. He later moved to the town of Vicenza to join a workshop that specialized in architecture. By his late 20s, Palladio had attracted the attention of Gian Giorgio Trissino, a humanist* and former diplomat who had retired to Vicenza. Under Trissino's influence, Palladio was introduced to humanist ideas, discovered the writings of the ancient Roman architect Vitruvius, and made contacts in intellectual circles of northern Italy.
Palladio designed his first villas in the late s and early s, but these works show few signs of his mature style. His first real breakthrough came when he was asked to design a facade* for the Basilica, Vicenza's public palace. This complex of
Andrea Palladio–Italian Renaissance Architect
Andrea Palladio was born on November 30, in Padua (then part of the Republic of Venice) and was given the name Andrea di Pietro della Gondola. His father, Pietro, called “della Gondola,” was a miller. Andrea was fortunate to be young enough to be unaffected by the warfare which struck the Veneto in the early years of the 16th century. On May 14, (when Andrea was six months old) the combined forces of the League of Cambrai defeated the Venetians at the Battle of Agnadello and overran most of the Veneto. Only a series of courageous military efforts enabled the Republic of Venice to regain its political viability.
In , when Andrea was 13, his father arranged for him to be an apprentice stonecutter for a period of six years in the workshop of Bartolomeo Cavazza da Sossano, who was a noted sculptor and whose projects included the altar in the Basilica del Carmine in Padua. Cavazza is said to have imposed particularly hard-working conditions, and Andrea fled the workshop after only 18 months, and went to Vicenza. However, he was forced to return to Padua to fulfill his contract. In , at age 16, Cavazza released him from the contract, and
Andrea Palladio: “The Father of American Architecture” Was From Veneto
It’s a misty October day when we visit the villa. Opening the gate, we’re greeted by a sloping pebbled path lined on either side by roses. It functions as a sort of cue, directing the eye ahead to what we’ve all come to see: architect Andrea Palladio’sVilla Almerico Capra, detta “La Rotonda,” the basis for Thomas Jefferson’s Monticello and perhaps Palladio’s own capolavoro.
We are initially stunned by the aspects we knew to expect—the villa’s pleasing Vitruvian proportions, its four identical facades, its flattened dome, based on the Pantheon, the fact that,as Palladio expert Roberta Parlato told us, “it’s all clear. You understand immediately where you have to go.”
And yet, like any piece of art, it is what we don’t expect that stuns more. Our tour guide, Emma De Puti, urges us to turn our gaze towards the steps that flank each side of the are standing on one of the porches, looking from above at the expanse through the columns. But as we tilt our eyes to the ground, instead of the steps we know to exist, we see only grass and air. It is as if the building simply stops at the end of the porch.
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