Rossini stabat mater anna netrebko biography

Biografie Anna Netrebko Lebenslauf

Der Opernstar Anna Jurjewna Netrebko wurde am September im russischen Krasnodar als Tochter einer Ingenieurin und eines Geologen geboren.
Während sie am weltberühmten Sankt Petersburger Rimski-Korsakow-Konservatorium als Putzhilfe arbeitete – ihr Sangestalent verschwieg sie in aller Bescheidenheit –, wurde der Dirigent Waleri Gergijew auf ihre Stimme aufmerksam und förderte ihr Gesangsstudium. Anno trat sie zum ersten Mal ins Licht der Öffentlichkeit und gewann den Glinka-Gesangswettbewerb in Moskau. Im Jahr darauf war es abermals Gergijew, der Netrebko die Rolle der Susanna in Mozarts "Le nozze di Figaro" (Figaros Hochzeit) vermittelte. In diesem Part reüssierte sie zum ersten Mal auf einer deutschen Bühne beim renommierten Schleswig-Holstein Musik Festival unter der erfahrenen Leitung von Justus Frantz.
ging Netrebkos Stern weltweit auf, nachdem sie zusammen mit ihrem Mentor Gergijew in den USA auf Tournee ging. Sie riss in der Haupt- und Titelrolle in Michail Glinkas "Ruslan und Ljudmila" das Publikum und nicht zuletzt die schreibenden Kritiker in San Francisco zu Begeisterungsstürmen hin, sodass der Aufenthalt j

Stabat Mater by Rossini

Gioachino Rossini was born on February 29, , in Pesaro, Italy. From a young age, Rossini showed immense talent and passion for music, which led him to pursue a career as a composer. His father, a horn player, recognized his son&#;s potential and provided him with the necessary education and support.

Rossini&#;s musical career began to flourish in his early twenties when he composed several successful operas, including &#;The Barber of Seville&#; and &#;La Cenerentola.&#; These works showcased his mastery of both comedic and dramatic elements, earning him widespread recognition and acclaim. Rossini&#;s innovative compositions, characterized by their melodic richness and technical brilliance, revolutionized the opera scene of his time.

Throughout his life, Rossini composed over forty operas, as well as numerous solo vocal works, chamber music, and sacred music. His compositions were known for their catchy melodies, rhythmic vitality, and expressive harmonies. Rossini&#;s ability to capture the essence of human emotions through music made him one of the most influential composers of his era.

Despite his early success, Rossini gradually withdrew from compos

Das Lied der Mutter - Anna Netrebko singt Pergolesis „Stabat Mater“

Die Zeit war reif für ein wenig Entschleunigung. Schließlich gab es im Laufe der vergangenen Jahrzehnte kaum eine vergleichbar rasante Karriere wie die der russischen Sopranistin Anna Netrebko. Sie nutzte ihre Babypause daher nicht nur, um das neue Leben auf der Erde willkommen zu heißen, sondern auch, um ein paar dezente Korrekturen am eigenen künstlerischen Profil vorzunehmen. Erster Schritt war der Liederabend in Salzburg mit Daniel Barenboim am Klavier, der die bislang im Opernfach beheimatete Sängerin auch mit kammermusikalischem Repertoire präsentierte. Dann folgte im Sommer ein umjubeltes Konzert zu Ehren von Giovanni Battista Pergolesi, das Anna Netrebko als Interpretin geistlicher Musik vorstellte. Es war ein Wagnis, denn zum einen war das Festspielhaus in Baden-Baden, wo die Aufführung stattfinden sollte, ein für die Verhältnisse der Barockmusik sehr großer Raum. Darüber hinaus aber erforderte das Projekt auch eine andere Form der Vorbereitung und Auseinandersetzung als die Erarbeitung einer Oper.

Doch Anna Netrebko liebt die Herausforderung und wuchs mit dem Programm. „Zuerst versuchte ich, mein

Stabat Mater - Gioacchino Rossini ( - )

 

William Tell is generally regarded as being Rossini’s greatest opera. It was completed in , making it his thirty-sixth opera in nineteen years. It is hardly surprising, therefore, that he wrote no more stage works during the remaining forty years of his life, although it would not be true to say that he never produced anything operatic in style; the Stabat Mater is unashamedly theatrical.

 The story behind the composition of the work is as involved as one of Rossini’s own libretti. In he was invited to compose a setting of the Stabat Mater by one, Don Francisco Fernandez Varela, Knight of the Grand Cross of the Order of Charles III, whom Rossini had met on a previous visit to Spain. After some initial reluctance, Rossini agreed, on the understanding that the work would be for private use only, and never published. He originally planned twelve movements, but having written Nos. 1 and 5 - 9, a severe attack of lumbago prevented him from continuing. An old friend and fellow-composer, Giovanni Tadolini, agreed to compose the remaining six movements. The collaboration was kept a closely-guarded secret, the work

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