Summary of Vija Celmins
Celmins's name has an elevated standing within the contemporary art world. Celmins has built her reputation largely on a series of exquisitely intricate and hypnotic copies - painted, drawn or sculpted - of oceans, deserts, rocks, spider webs, views of the night sky, warplanes, and everyday household objects. Drawing on materials sourced from newspapers, magazines and books, on found objects, and on her own photographs, she has talked about her art in terms of "redescriptions" that invite her audience to consider overlaps between concepts of "fact, fiction and invention". For Celmins, moreover, meaning resides very much in the material properties of her artworks.
Accomplishments
- Many of Celmins's works prompt questions around representation, perception and human experience. For example, through her "all-over" compositions of waves and celestial views - that is, views without horizons, borders or other reference points - she asks her viewer to focus on the complexity and wonder of their natural surroundings.
- Celmins's early works drew on press photographs showing images of war and gun violence. By rendering her images through a monochrome grayscale
Inta Celmina, Yellow Flowers, Oil on Canvas, s
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Composición floral. Lienzo, óleo, 40x30 cm
Nacido el 7 de enero de en Riga - estudió en la Escuela Superior de Arte de Riga Janis Rozentals - estudió en el Departamento de Pedagogía de la Academia Letona de las Artes Desde pinta al óleo sobre lienzo y participa en exposiciones - profesor en la Escuela Secundaria de Artes Aplicadas de Riga - Profesor titular del Departamento de Pedagogía de la Academia Letona de Arte - artista independiente Desde - profesor de pintura, dibujo, composición y colorista en la Facultad de Diseño Informático de la Escuela Internacional de Psicología Práctica Exposiciones personales en Letonia, Suecia, Francia, An He ha ganado premios en exposiciones de pintores letones y bálticos - Medalla de Plata del Salón Francés de la Tradición y la Búsqueda de París Inta Celmina es pintora. El artista, cuya obra nos vincula ante todo a los colores de los trazos entonados y tonalizados de colores oscuros, compone libremente figuras femeninas ebrias y emocionalmente sinuosas, y - princesas. Sí, esto último también puede estar relacionado con los caballos y los pájaros, pero está claro que las obras de Inta viven en un mundo realmente acentuado y cu
Inta Celmiņa presented herself in art in the s, achieving a secure place in the cultural history of Latvia. The solo exhibition at the Latvian National Museum of Art summarizes fifty years of creativity, reflecting the stylistic variability of her painterly manner. Inta Celmiņa’s favorite motif is music, which she compares to the art of colour: “If the music is perceived by hearing, and the sounds that enter the mind are completely abstract, then it is just as easy to observe the colour combinations without immediately looking for clarity in the story. You have to enjoy and wait until the twines of sound or colour create an echo in the senses and reveal the artist’s idea.”
Inta Celmiņa explores the possibilities of depicting the impression of sound on canvas in both music-related themes and landscape motifs, painting musicians and discussing with them the social tasks and compositional interconnections of classical music and visual art.
The artist’s compositions of the s are based on the contrasts of areas, highlighting gray-white accents on a dark background, but gradually her manner approaches the impetuous rhythms of music. Along with the expression of brush strokes in th
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