Etam Cru
Etam Cru biography
Przemek Blejzyk aka Sainer () and Mateusz Gapski aka Bezt () compose graffiti duo Etam Cru. Born and raised in Poland, both met while studying fine art at the Academy of Fine Arts in Lodz. They started painting together after graduating from the Academy in Today Etam Cru is considered most accomplished in Polish street art.
Sainer is a freelancer who creates murals, graphic design illustrations as well as portraits. Originally known under the moniker &#;Sain&#;, he is referred to as &#;Sainer&#;. He developed a strong passion for Arts during his teenage years and started painting at the age of His works are charaterised by realistic depictions of characters. Those figures are often painted in unusual contexts with a surrealistic twist. Sainer’s individual pieces can be seen throughout Europe as well as the USA
Bezt’s attraction for graffiti dates back to his young age and he initiated street art in Now specialised in frescoes, Bezt is known for his fantastical, dream-like murals that generally feature realistic portraits of women, floral motifs and animals. His compositions always feature a unique central figure that gives a sense of melancholy to
Polish graffiti artist, Przemek Blejzyk (aka Sainer), as Aryz, is distinguished by his frescoes gigantism. Walls of several levels, areas in kilometers, height as weight does not scare him. Next to this delusions of grandeur, is expressed an exceptional graphic sensitive. Author of oil and acrylic canvasses, Sainer paints the mankind, from a faithful naturalism to the extremest surrealism. Colors, postures, expressions, each character testifies about the human diversity being physical, mental or cultural. An emotive and sincere art that we invite you to discover now.
His work is large. Frightening. One imagines the artist being restrained. I don&#;t know how much energy it would take to produce these pieces but it must be exhausting.
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Sainer w Muzeum Narodowym w Gdańsku. To obecnie najbardziej kolorowa wystawa w Polsce
Wystawa Sainera w Gdańsku
Sainer zdobył międzynarodową sławę jeszcze jako student łódzkiej ASP. Razem z Mateuszem Gapskim (pseudonim Bezt), jako Etam Cru zrealizowali kilkadziesiąt murali w Polsce i różnych krajach świata. Wielkoformatowe prace Etam Cru cechuje oryginalny styl czerpiący żywo z estetyki komiksu, ilustracji, filmów anime i klasycznego malarstwa. Murale przedstawiają najczęściej postaci opracowane z dużą szczegółowością, zanurzone w barwnym świecie realizmu magicznego.
Od roku, zmęczony wielkomiejskimi podróżami związanymi z tworzeniem murali, i szukając nowego sposobu artystycznej ekspresji, Sainer ruszył w plener. Obcowanie z naturą, doświadczanie jej piękna i kojącej mocy, pozwoliło mu głębiej zanurzyć się w malarstwie.
Wystawa „Sainer. Koloor”, którą do 25 lutego można oglądać w Pałacu Opatów, Oddziale Sztuki Nowoczesnej Muzeum Narodowego w Gdańsku, jest efektem kilkuletnich poszukiwań kolorystyczno-formalnych.
Każda z 12 sal wystawienniczych opowiada o inspiracjach, badaniach nad formą i kolorem, a także o wyzwaniach, które artysta rzucał samemu sobie. Wystawa pejzaż
Przemek Blejzyk: Melding Tradition with Modernity
Blejzyk’s work uniquely blends the influence of Impressionism with contemporary digital aesthetics, resulting in a style that is both timeless and distinctly modern. At first glance, these two seemingly disparate worlds may appear incompatible. However, for Blejzyk, they converge on a shared focus: perception. Impressionism, known for capturing fleeting moments of light and atmosphere, resonates with Blejzyk’s desire to represent the ephemeral nature of human experience. In contrast, digital aesthetics, shaped by the fast-paced, fragmented way we consume images today, reflect a more modern reality where perceptions are constantly shifting and layered.
In his paintings, Blejzyk skillfully merges these two influences, creating works that are both reflective and forward-looking. He often speaks about the parallels between Impressionist techniques, which emphasize mood and light, and the fragmented, window-like nature of digital imagery. His compositions feel multi-dimensional, as if they are capturing multiple moments or perspectives simultaneously. This blend of techniques allows Blejzyk to engage with the complexities of modern
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